Rembrandt - Marieke de Winkel, Volker Manuth - diskuze

No other 17th-century artist played the self-portrait game as extravagantly as the Dutchman Rembrandt. Spanning from his youth until just a year prior to his death, this unprecedented collection gathers the entirety of Rembrandt’s self-portraiture in impeccable reproductions. The works are an intimate glimpse into the artist’s lifelong self-reflection and nothing short of a triumph of art history. Few devotees of the form can approach Rembrandt Harmensz. van Rijn’s radical contributions to the art of the self-portrait. Challenging the conventions enshrined by his predecessors, Rembrandt transformed self portraiture into a fully realized medium capable of communicating emotional depth rather than favorably immortalizing one’s likeness in the finest trappings of luxury. With more than 80 works spanning paintings, etchings, and drawings, the Dutchman’s lifelong practice of self-portraiture functions as a means of concretizing that which is fleeting, be it individual moments of development set against the inexorable passage of time, or the facial contortions of emotion that are gone, without a trace, as swiftly as they arrive. Across the four decades in which they were painted, one constant is particularly striking across media and styles—Rembrandt’s dedication to presenting himself from multiple perspectives, celebrating the multiplicity of the individual and championing the unfiltered portrayal of emotional expression. Apart from the thematic concerns present with
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