Philip Larkin - James Booth

_______________'Superb … Booth’s psychology is subtler than Motion’s and more convincing' - Peter J. Conradi, Spectator'Booth’s diligence is unquestionable and even readers who think they know the poems will see nuances they had previously missed … should render further attention by biographers superfluous for several years' - Guardian'Those of us who never warmed to Larkin the man or poet, will have our aversions challenged by this sympathetic but different account of his life and work' - Independent_______________A fascinating and controversial study of Philip Larkin’s world and how it bled into his work, James Booth’s biography is a unique insight into the man whose life and art have been misunderstood for too longPhilip Larkin was that rare thing among poets: a household name in his own lifetime. Lines such as ‘Never such innocence again’ and ‘Sexual intercourse began / In nineteen sixty-three’ made him one of the most popular poets of the last century. Larkin’s reputation as a man, however, has been more controversial. A solitary librarian known for his pessimism, he disliked exposure and had no patience with the literary circus. And when, in 1992, the publication of his Selected Letters laid bare his compartmentalised personal life, accusations of duplicity, faithlessness, racism and misogyny were levelled against him. There is, of course, no requirement that poets should be likeable or virtuous, but James Booth asks whether art and life were r
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