Namanlagh - Tom Paulin

WINNER OF THE PEN HEANEY PRIZESHORTLISTED FOR THE T. S. ELIOT PRIZEFINALIST FOR THE DEREK WALCOTT PRIZE FOR POETRYLONGLISTED FOR THE CHRISTOPHER EWART-BIGGS MEMORIAL PRIZEI guess I must have been in two mindsabout the new dayas the daylight godsbegan to march in straight linesgoing I don’t know where.from ‘The Spare Room’In his first collection for more than a decade, Tom Paulin revisits themes of place, occupation, conflict and legacy, primarily in the context of his native Northern Ireland. Stories and memories, even histories, are shown to be both frail and persistent, troubling and vital. There is a powerful austerity in play as he sets aside the rhetorical force and linguistic dazzle for which he is renowned, to speak simply of later life and the losses it brings: ‘if only some idea / could find its way / through enemy territory / then I’d at last begin / to look up at the sky.’ As outward-looking as ever, he also includes here intimate and resonant versions from Brecht and Ronsard, and from the contemporary Palestinian poet, Walid Khazendar.‘To say the [Fivemiletown] was one of the best books of the Eighties isn’t enough: it is one of the best books I know, or for that matter, am capable of imagining . . . what British or Irish poet was doing anything like this?’ Michael Hofmann, London Review of Books‘Tom Paulin is among the best of a great generation of Irish poets.’ Sunday Telegraph‘Paulin often creates the illusion that the poem is being made
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