Painting, Photography, Film(Pevná vazba)

Offered a position at the Weimar Bauhaus in 1923, L szl Moholy-Nagy (1895-1946) soon belonged to the inner circle of Bauhaus masters. When the school moved to Dessau, Moholy-Nagy and Walter Gropius began a fruitful collaboration as joint publishers of the Bauhausb cher series. In addition to designing and editing the Bauhausb cher, Moholy-Nagy produced a title of his own: the legendary Painting, Photography, Film. In this book, Moholy-Nagy's efforts to have photography and filmmaking recognized as art forms on the same level as painting are propounded and explained at length. The artist makes the case for a radical rethinking of the visual arts and the further development of photographic design to keep pace with a radically changing technological modernity. Alongside theoretical and technical approaches and forays into the nature of the medium,
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