Vietnam on the Big Screen - Joseph Houlihan

America, it is said, deals with its trauma through the medium of Hollywood, and few experiences have been more traumatic than its involvement in the Vietnam War. As the last US helicopters fled the American Embassy compound during the fall of Saigon, they left behind a country devastated by twenty years of death and destruction. They were heading back to a country that was damaged in a different way. The America that ended its involvement in Vietnam in 1975 was defeated, humiliated, divided and scarred. It was a bewildering transformation for a nation that considered itself to be on the right side of history. Only a generation earlier, Americans were united in celebrating the bravery of the GIs and Marines who stormed the beaches of Iwo Jima and Normandy. Now they were confronted with an uglier face of war: pointless sacrifice, disillusioned and mutinous soldiers, massacres of innocent civilians and the shooting of unarmed student protestors. For a long time America found it impossible to process the experience, until Hollywood led the way. The movie industry had started out treating Vietnam like an extension of the Second World War. The gung-ho John Wayne action film The Green Berets (made with the full support of the Pentagon) had a simplistic “we’re the good guys” message. However, as American casualties mounted in Vietnam, social unrest erupted and the war’s aims looked ever murkier, the movie studios backed off. After The Green Berets in 1968
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