"Falling Rocket: James Whistler, John Ruskin, and the Battle for Modern Art" - "" ("Murphy Paul Thomas")(Pevná vazba)

A New York Times Book Review Editors’ Choice The untold story of the artistic battle between James Abbot MacNeill Whistler and John Ruskin over Whistler’s controversial, ground-breaking Nocturne in Black and Gold: The Falling Rocket.In November 1878, America’s greatest painter sued England’s greatest critic for a bad review. The painter won—but ruined himself in the process. The painter: James Abbot MacNeill Whistler, whose combination of incredible talent, unflagging energy, and relentless self-promotion had by that time brought him to the very edge of artistic preeminence. The critic: John Ruskin, Slade Professor of Art at Oxford University, whose four-decades’ worth of prolific and highly respected literary output on aesthetics had made him England’s unchallenged and seemingly unchallengeable arbiter of art. Though Whistler and Ruskin both lived in London and moved in the same artistic world, they had, until June, 1877, managed to remain entirely clear of one another. This was unusual because Whistler had a mercurial temperament, a belligerent personality, and seemed to thrive on opposition: he once challenged a man to a duel because the man accused the painter of sleeping with his wife. (Whistler had, in fact, slept with the man’s wife.) That November, John Ruskin walked into the Grosvenor Gallery’s new exhibition of art and gazed with horror upon Whistler’s Nocturne in Black and Gold: The Falling Rocket. The painting was Whistler?
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